{"id":36760,"date":"2022-01-04T11:46:32","date_gmt":"2022-01-04T11:46:32","guid":{"rendered":"https:\/\/jrrtestate.wpengine.com\/audiovisual\/audio\/"},"modified":"2022-02-23T15:11:35","modified_gmt":"2022-02-23T15:11:35","slug":"audio","status":"publish","type":"page","link":"https:\/\/www.tolkienestate.com\/es\/audiovisual\/audio\/","title":{"rendered":"Audio"},"content":{"rendered":"

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J.R.R. Tolkien in Bournemouth, 1965.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.6.1″ _module_preset=\u00bbdefault\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.9.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.6.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.11.2″ _module_preset=\u00bbdefault\u00bb text_line_height=\u00bb1.8em\u00bb text_orientation=\u00bbcenter\u00bb width=\u00bb60%\u00bb width_tablet=\u00bb100%\u00bb width_phone=\u00bb100%\u00bb width_last_edited=\u00bbon|tablet\u00bb module_alignment=\u00bbcenter\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Readings<\/h2>\n

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Tolkien was first introduced to a tape-recorder by his friend, George Sayer, in 1952. He had never seen or used one before and insisted on first recording the Lord\u2019s Prayer in Gothic to cast out any demons. He was so impressed by the sound quality that he sat down and read out passages from his manuscript of The Lord of the Rings, then still an unpublished work. Some of these original recordings can be heard here.<\/p>\n

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\u2018Riddles in the Dark\u2019<\/h3>\n

The Hobbit<\/em>, ch. 5<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.11.2″ module_alignment=\u00bbleft\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

This is the first recording of Gollum (as imagined by his creator) as he encounters the hobbit, Bilbo Baggins, who has lost his way in the dark under the Misty Mountains.<\/p>\n

Tolkien clearly enjoyed reading his works aloud and this can be heard in the different voices he gives his characters.<\/p>\n

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The ring verse, Book 1<\/h3>\n

The Lord of the Rings<\/em>, ch. 2[\/et_pb_text][et_pb_text _builder_version=\u00bb4.11.2″ module_alignment=\u00bbleft\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

The ring found by Bilbo under the Misty Mountains is revealed by Gandalf to be the Master-ring, the One Ring, forged by Sauron, the Dark Lord long ages ago.<\/p>\n

Tolkien reads out the ring verse in Gandalf\u2019s voice.<\/p>\n

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\u2018Of Herbs and Stewed Rabbit\u2019<\/h3>\n

The Lord of the Rings<\/em>, Book 4, ch. 4<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.11.2″ module_alignment=\u00bbleft\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

During their long march from the Black Gate to Cirith Ungol, Frodo, Sam and Gollum pass through the once-fair land of Ithilien. Here Sam decides to cook a meal for Frodo \u2013 with Gollum\u2019s help.<\/p>\n

Tolkien shows his skills as a performer in the dialogue between Sam and Gollum.<\/p>\n

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\u2018The Ride of the Rohirrim\u2019<\/h3>\n

The Lord of the Rings<\/em>, Book 5, ch. 5<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.11.2″ module_alignment=\u00bbleft\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

As the Riders of Rohan come to the aid of the people of Gondor, they find the city of Minas Tirith besieged and the outer defences already on fire. It seems that they have arrived too late but their king Theoden exhorts them to ride forth and cover themselves in glory come what may.<\/p>\n

Tolkien chose to record this passage, one of his favourites, which captures the northern heroic spirit.<\/p>\n

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Bath Song<\/h3>\n

The Lord of the Rings<\/span><\/i>, Book 1, ch. 5<\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.11.2″ module_alignment=\u00bbleft\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Pippin recites one of Bilbo\u2019s favourite bath songs. This light-hearted hobbit verse clearly amused Tolkien: listen for his chuckle at the end.<\/span><\/p>\n

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Song of Tom Bombadil<\/h3>\n

The Lord of the Rings<\/span><\/i>, Book 1, ch. 6<\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.11.2″ module_alignment=\u00bbleft\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Tom Bombadil\u2019s song precedes him as he bounds into view just in time to save the hobbits from the clutches of Old Man Willow.<\/span><\/p>\n

Tom Bombadil was a character who pre-dated <\/span>The Lord of the Rings<\/span><\/i>; Tolkien first wrote a poem about him in the early 1930s. <\/span><\/p>\n

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Ents\u2019 Marching Song<\/h3>\n

The Lord of the Rings<\/span><\/i>, Book 3, ch. 4<\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.11.2″ module_alignment=\u00bbleft\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

The wrath of the Ents\u2019 bursts forth in a war song as they march on Isengard and the treacherous Saruman.<\/span><\/p>\n

Tolkien brings the Ents to life with his powerful rendition of their rolling language which disappeared from the final published text.<\/span><\/p>\n

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Nam\u00e1ri\u00eb<\/h3>\n

The Lord of the Rings<\/span><\/i>, Book 2, ch. 8<\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.11.2″ module_alignment=\u00bbleft\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Galadriel sings a song of lamentation as she bids farewell to the Fellowship as their boats bear them down the Great River.<\/span><\/p>\n

Tolkien sings this verse in the style of a Gregorian chant. It is written in Quenya, one of his Elvish languages.<\/span><\/p>\n

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A Elbereth Gilthoniel<\/h3>\n

The Lord of the Rings<\/span><\/i>, Book 2, ch. 1<\/span><\/p>\n

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\u2018the sweet syllables of the Elvish song fell like clear jewels of blended word and melody. \u2018It is a song to Elbereth,\u2019 said Bilbo.\u2019<\/span><\/p>\n

This verse is written in Sindarin, one of Tolkien\u2019s invented Elvish languages. It is not translated in <\/span>The Lord of the Rings<\/span><\/i> but it is a hymn to Varda (Elbereth), the Queen of the Stars.<\/span><\/p>\n

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Interviews<\/h2>\n

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During the 1960s as The Lord of the Rings increased in popularity particularly in America, journalists, broadcasters and producers sought to interview Tolkien, seeking explanations about his work. Although he was willing to discuss his books, these requests distracted him from his main task of revising and completing The Silmarillion, and consequently only a few audio interviews survive.<\/p>\n

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Irene Slade, 1964<\/h2>\n

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Irene Slade interviewed Tolkien for the BBC in November 1964. It was broadcast on the Home Service on New Year\u2019s Day 1965 as part of a radio programme called \u2018Reluctant Olympians\u2019, in the series, A World of Sound.<\/p>\n

Only a small part of this interview is extant but it captures Tolkien\u2019s memories of writing the opening line of The Hobbit, his children\u2019s reaction to the story and his views on whether it should be classed as a fairy story.<\/p>\n

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Denys Gueroult, 1965<\/h2>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.11.2″ module_alignment=\u00bbleft\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Denys Gueroult interviewed Tolkien for the BBC in January 1965. The interview dealt almost exclusively with his most well-known work,<\/span> The Lord of the Rings<\/span><\/i>. It was published on audio-cassette in 1980.<\/span><\/p>\n

Extracts from this forty minute interview reveal Tolkien\u2019s views on the location of Middle-earth and the nature of hobbits, as well as his own Atlantis complex.<\/span><\/p>\n

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border_radii=\u00bbon|10px|10px|10px|10px\u00bb border_color_all=\u00bb#383E3C\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.11.2″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.tolkienestate.com\/wp-content\/uploads\/2022\/01\/051tape-what-is-middle-earth.mp3″ album_name=\u00bbWhat is Middle-earth?\u00bb _builder_version=\u00bb4.11.2″ _module_preset=\u00bbdefault\u00bb caption_text_align=\u00bbleft\u00bb background_color=\u00bb#383E3C\u00bb custom_css_audio_title=\u00bbdisplay:none;\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb border_color_all=\u00bb#383E3C\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.tolkienestate.com\/wp-content\/uploads\/2022\/01\/051tape-link-to-hobbit.mp3″ album_name=\u00bbHow did The Lord of the Rings develop from The Hobbit?\u00bb _builder_version=\u00bb4.11.2″ _module_preset=\u00bbdefault\u00bb caption_text_align=\u00bbleft\u00bb background_color=\u00bb#383E3C\u00bb custom_css_audio_title=\u00bbdisplay:none;\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb border_color_all=\u00bb#383E3C\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.tolkienestate.com\/wp-content\/uploads\/2022\/01\/051tape-small-hands-turn-wheels.mp3″ album_name=\u00bbWhy was a hobbit chosen to carry the Ring?\u00bb _builder_version=\u00bb4.11.2″ _module_preset=\u00bbdefault\u00bb caption_text_align=\u00bbleft\u00bb background_color=\u00bb#383E3C\u00bb custom_css_audio_title=\u00bbdisplay:none;\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb border_color_all=\u00bb#383E3C\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.tolkienestate.com\/wp-content\/uploads\/2022\/01\/051tape-the-valar.mp3″ album_name=\u00bbAre there any Gods?\u00bb _builder_version=\u00bb4.11.2″ _module_preset=\u00bbdefault\u00bb caption_text_align=\u00bbleft\u00bb background_color=\u00bb#383E3C\u00bb custom_css_audio_title=\u00bbdisplay:none;\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb border_color_all=\u00bb#383E3C\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][et_pb_audio audio=\u00bbhttps:\/\/www.tolkienestate.com\/wp-content\/uploads\/2022\/01\/051tape-welsh-and-finnish.mp3″ album_name=\u00bbWhich languages were the greatest help to you?\u00bb _builder_version=\u00bb4.11.2″ _module_preset=\u00bbdefault\u00bb caption_text_align=\u00bbleft\u00bb background_color=\u00bb#383E3C\u00bb custom_css_audio_title=\u00bbdisplay:none;\u00bb border_radii=\u00bbon|10px|10px|10px|10px\u00bb border_color_all=\u00bb#383E3C\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_audio][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

J.R.R. Tolkien in Bournemouth, 1965.ReadingsTolkien was first introduced to a tape-recorder by his friend, George Sayer, in 1952. He had never seen or used one before and insisted on first recording the Lord\u2019s Prayer in Gothic to cast out any demons. 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Tolkien in Bournemouth, 1965.ReadingsTolkien was first introduced to a tape-recorder by his friend, George Sayer, in 1952. He had never seen or used one before and insisted on first recording the Lord\u2019s Prayer in Gothic to cast out any demons. 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